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The entire record is evidence of just how much synth player/producer Jordan Fish has brought to the band since his induction in 2013. Through the driving synths of “Throne”, the RnB beats of the intro to “Follow You” or the moody indie grooves of “Oh No”, flavours ranging from Deftones and Linkin Park to alt-J and The 1975 rear their heads, unexpectedly but tastefully integrated. The instantly memorable “Happy Song” has proved naturally divisive upon its early release despite being arguably the heaviest track on the album, but the cheerleader chants and nu metal-infused riffing it showcases are only the beginning. October 2014 single “Drown” signified a potentially major shift in direction but left fans wondering whether or not this was an outlying soft track or an all-out sonic revolution it’s now abundantly clear that the band have taken a leap of faith right down the stylistic rabbit hole of “Drown” with no looking back. For perhaps the first time, Bring Me The Horizon have produced a record with no throwbacks to the Suicide Season days of outrageous mosh calls and downtuned riff insanity. It’s that full-bore commitment to a unified creative vision that is That’s The Spirit’s greatest strength, yet also potentially its Achilles heel for heavier-leaning fans. These sounds and styles had already been more than hinted at on Sempiternal – tracks like “And The Snakes Start To Sing”, “Can You Feel My Heart?” and “Seen It All Before” come to mind – but if upbeat, aggressive cuts like “Antivist” or “House Of Wolves” were Sempiternal’s drawcard for you, be aware that you’ll find none of that here. In some regards, the content of That’s The Spirit could be seen as the logical next step in their musical trajectory. Never failing to surprise and challenge their die-hard listener base with each album, That’s The Spirit sees Bring Me The Horizon push things further than ever with a collection of stadium-standard alt-rock anthems more suited to Glastonbury than Warped Tour. Their major label debut, Sempiternal has been their most significant commercial achievement, achieving Gold certification in Australia (35,000) and Silver in the United Kingdom (60,000) Aside from these four albums, they have also released two extended plays. in 2010, propelling them to greater international fame, whilst incorporating influences from classical, electronica and pop. There Is a Heaven, Let's Keep It a Secret. Bring Me the Horizon then released their third album There Is a Hell, Believe Me I've Seen It. The band began to break away from their controversial sound with Suicide Season (2008) which proved to be a creative, critical and commercial turning point for the band. Upon release, the album was met with great polarisation amongst the public and critical disdain. The first promotional single, "Happy Song", was released on July 12.īring Me the Horizon released their debut album Count Your Blessings in 2006. The band is set to release their fifth album, That's the Spirit, on September 11, 2015. Furthermore, their latest singles "Drown" and "Don't Look Down" marked a shift in their sound to less aggressive rock music styles. The style of their early work has primarily been described as deathcore, but they started to adopt a more eclectic style of metalcore on later releases.
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They are currently signed to RCA Records globally and Columbia Records exclusively in the US. Formed in 2003, the group currently consists of lead vocalist Oliver Sykes, lead guitarist Lee Malia, bassist Matt Kean, drummer Matt Nicholls and keyboardist Jordan Fish. Bring Me The Horizon - Thats the Spirit (2015)īring Me the Horizon are a British rock band from Sheffield, Yorkshire.